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THE BATTLE OF THE BULGE (17 K)

The Battle of the Bulge

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Production Notes: U.S., Warner Bros., 1965
Director: Ken Annakin
Cast: Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews, George Montgomery, Ty Hardin, Pier Angeli, Barbara Werle, Charles Bronson, Hans Christian Blech, Werner Peter, James MacArthur, Karl-Otto Alberty, Telly Savalas



Favorite Scene: Kiley Needs Prisoners

KILEY AND WOLENSKI

Major Wolenski (Charles Bronson, left) and Colonel Kiley (Henry Fonda, right) warm up inside a pillbox on the front lines and discuss picking "volunteers" for a patrol to capture some prisoners for interrogation by G-2.
SGT. DUQUESNE

Sgt. Duquesne (Robert Montgmery) takes target practice despite his bunker-mates complaining that he's letting the cold air in. Duquesne is too wily a veteran to believe that the Germans are finished, and wants to stay sharp.


Despite the fact that this film makes it look like parts of the battle were fought in the desert in July, one scene that rings true and evokes the atmosphere of winter war-weariness and false security that preceded the German attack on December 15, 1944 is an early one depicting a sleepy U.S. position atop a small hill across from the German lines. When Colonel Kiley (Henry Fonda) needs fresh prisoners to interrogate, he drives up to a thinly held stretch of the front held by a Major Wolenski (Charles Bronson) so he can muster a patrol. The scene recalls the isolated positions held by the green 106th Division on the forested, hilly Schnee Eifel. Wolenksi's company CP is in an enemy pillbox dubbed "Hindenburg" by the Germans that's now "under new management" (testimony to the fluid nature of the front line, where one day the Americans would hold a position and the next day the Germans would; such see-sawing went on in countless pockets on the Belgian-German border in late 1944). His men are interested in nothing but keeping warm and don't even bother to post a sentry.

The muddy switchback that leads up to the bunker, the wind-blown snow, the scraggly pine trees, and the frigid, shell-pocked bunker make for a highly atmospheric setting. Inside the pillbox, inhabited by tired infantrymen trying to grab some shuteye, one can almost smell the burning pine wood in the old stove, hear the big band Christmas music on the radio, and taste the whiskey-spiked coffee that Wolenski offers to Kiley to drive away the chill. Robert Montgomery excels as a veteran infantry sergeant who pulls out the blankets stuffed in the pillbox's gun slit so he can take target practice at the Germans across the valley. All the other men complain that he's letting the cold in ("close the pneumonia hole") and his own lieutenant (James MacArthur, a typical "90-day wonder") tells him to "go outside if you want to play with that popgun." Of course, many American GIs, as well as their commanders, were convinced the war would be over by Christmas and were mesmerized by the unreal quiet and lack of action that characterized this part of the front. The Ardennes, in fact, was considered a rest area for the units that had been bled in the hard fighting in the Hürtgen Forest. Just a few kilometers away, however, three of Hitler's armies were preparing for what would ultimately be the last great Wehrmacht counterattack in the West.

SGT. GUFFY

Sgt. Guffy (Telly Savalas) in the cupola of his Sherman. Savalas' portrayal of a colorful hustler who peddles black market merchandise to his fellow GIs was on target and easily surpassed the wooden performances of such past-their-prime actors as Robert Ryan and Dana Andrews.

Also notable for color and comic relief in the same scene is Kiley's encounter on the road with a Sherman tank commanded by Sgt. Guffy (Telly Savalas), a self-styled hustler who has various items of contraband lashed to the engine deck and sides of his tank. Cartons of Lucky Strike cigarettes, duffelbag-fulls of French perfume, champagne, and silk stockings constitute the goods that Guffy plans to sell to the GIs preparing for both the assault on Germany and on "German broads." How many vets remember guys just like Guffy hawking fresh eggs, watches, Zeiss binoculars, Iron Cross medals, and other stuff no matter what the battefield conditions.

In a film that often takes outrageous poetic license in depicting key events, this scene resonates a subtle evocative genuineness that doesn't get lost in the telescoped bombast that constitutes much of the rest of the film.


Larry's Take: When It's Good, It's Good; When It's Bad, It's Really Bad

PANZER LEID

Colonel Hessler's young Panzertruppen impress him with a rousing version of the Panzer Leid after he intimates he is concerned about their battleworthiness.


Being written.



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